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Shakespeare and the Idea of Late Writing

£9.99

Product description

Good condition but with notes indside front cover and some limited marking to text. This book is an account of the ways in which we have come to understand Shakespeare's final plays as an instance of the idea of 'late style'. It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the relationship of creativity to death. What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

Item details

Author(s):
Gordon McMullan
Condition:
Used: good
Dimensions:
150 x 230 mm 650gm
Edition:
2010
Format:
Paperback
ISBN-10:
0521158001
ISBN-13:
9780521158008
Number of pages:
402
Publisher:
Cambridge University Press
Title:
Shakespeare and the Idea of Late Writing

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About this item

Good condition but with notes indside front cover and some limited marking to text. This book is an account of the ways in which we have come to understand Shakespeare's final plays as an instance of the idea of 'late style'. It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the relationship of creativity to death. What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

Author(s):
Gordon McMullan
Condition:
Used: good
Dimensions:
150 x 230 mm 650gm
Edition:
2010
Format:
Paperback
ISBN-10:
0521158001
ISBN-13:
9780521158008
Number of pages:
402
Publisher:
Cambridge University Press
Title:
Shakespeare and the Idea of Late Writing

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