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The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction

£24.99

Product description

What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar to those of music. it takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterise improvised jazz or audience interaction.
The Musical Novel builds upon theories of intermediality and semiotics to analyse the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates and entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartier, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The second group of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J.S. Bach's Goldberg Variations.

Item details

Author(s):
Emily Petermann
Condition:
Used: very good
Edition:
2014
Format:
Hardback
ISBN-10:
1571135928
ISBN-13:
9781571135926
Number of pages:
242
Publisher:
Camden House
Title:
The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction

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About this item

What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar to those of music. it takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterise improvised jazz or audience interaction.
The Musical Novel builds upon theories of intermediality and semiotics to analyse the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates and entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartier, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The second group of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J.S. Bach's Goldberg Variations.

Author(s):
Emily Petermann
Condition:
Used: very good
Edition:
2014
Format:
Hardback
ISBN-10:
1571135928
ISBN-13:
9781571135926
Number of pages:
242
Publisher:
Camden House
Title:
The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction

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