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Renaissance realism

£50.00

Product description

A very good copy with no markings or annotations. The dust jacket is in first class condition.

This book questions the assumption of a single realism, the continuous realism of novels. Many suppose that narrative before the novel either looked forward to it or was medieval and allegorical, and compare the introduction of single-point perspective with the rise of the novel. But continuous realism did not arise as soon as perspective was discovered. In actuality, a distinctive sort of Renaissance realism, with its own conventions, was practised from the late Middle Ages to the seventeenth century. Renaissance Realism surveys the history of perspective, showing that it only gradually came to dominate the western imagination and to become the default assumption for portrayal in the visual arts. Looked at in this way, correlates between literature and art emerge in the depiction of objects and events. Treatment of spatial arrangement and time sequences, for example, closely parallel 'simultaneous narration' in the visual arts.

Item details

Author(s):
Fowler, Alastair
Condition:
Used: very good
Edition:
2003
Format:
Hardback
ISBN-10:
0199259585
ISBN-13:
9780199259588
Number of pages:
220
Publisher:
Oxford University Press

Standard UK Delivery (£3.95 per order)

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About this item

A very good copy with no markings or annotations. The dust jacket is in first class condition.

This book questions the assumption of a single realism, the continuous realism of novels. Many suppose that narrative before the novel either looked forward to it or was medieval and allegorical, and compare the introduction of single-point perspective with the rise of the novel. But continuous realism did not arise as soon as perspective was discovered. In actuality, a distinctive sort of Renaissance realism, with its own conventions, was practised from the late Middle Ages to the seventeenth century. Renaissance Realism surveys the history of perspective, showing that it only gradually came to dominate the western imagination and to become the default assumption for portrayal in the visual arts. Looked at in this way, correlates between literature and art emerge in the depiction of objects and events. Treatment of spatial arrangement and time sequences, for example, closely parallel 'simultaneous narration' in the visual arts.

Author(s):
Fowler, Alastair
Condition:
Used: very good
Edition:
2003
Format:
Hardback
ISBN-10:
0199259585
ISBN-13:
9780199259588
Number of pages:
220
Publisher:
Oxford University Press

Delivery & returns

This item will be dispatched to UK addresses via second class post within 2 working days of receipt of your order. Standard UK delivery is £3.95 per order, so you're only charged once no matter how many items you have in your basket. Any additional courier charges will be applied at checkout as they vary depending on delivery address.

This item will be dispatched to UK addresses via second class post within 2 working days of receipt of your order. Standard UK delivery is currently free, no matter how many items you have in your basket. Any additional courier charges will be applied at checkout as they vary depending on delivery address.

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