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Hogarth's Harlot: Sacred Parody in Enlightenment England

£19.99

Product description

Used very good, light shelf wear, pages clean and bright, 77 illustrations, extensive notes by chapter and full index.

In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In "Hogarth's Harlot", Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in 18th-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation and acts of charity and love, Paulson focuses on such influential factors as English anti-popery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering readings of a wide range of artistic works - engravings by Hogarth; poems by Milton, Pope, Christopher Smart and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby and Louis-Francois Roubiliac; and oratorios by George Frederic Handel - Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

Item details

Author(s):
Paulson, Ronald
Condition:
Used: very good
Dimensions:
8vo
Edition:
first
Format:
Hardback
ISBN-10:
0801873916
ISBN-13:
9780801873911
Number of pages:
418
Publisher:
Johns Hopkins University Press, 2003
Title:
Hogarth's Harlot: Sacred Parody in Enlightenment England

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About this item

Used very good, light shelf wear, pages clean and bright, 77 illustrations, extensive notes by chapter and full index.

In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In "Hogarth's Harlot", Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in 18th-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation and acts of charity and love, Paulson focuses on such influential factors as English anti-popery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering readings of a wide range of artistic works - engravings by Hogarth; poems by Milton, Pope, Christopher Smart and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby and Louis-Francois Roubiliac; and oratorios by George Frederic Handel - Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

Author(s):
Paulson, Ronald
Condition:
Used: very good
Dimensions:
8vo
Edition:
first
Format:
Hardback
ISBN-10:
0801873916
ISBN-13:
9780801873911
Number of pages:
418
Publisher:
Johns Hopkins University Press, 2003
Title:
Hogarth's Harlot: Sacred Parody in Enlightenment England

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This item will be dispatched to UK addresses via second class post within 2 working days of receipt of your order. Standard UK delivery is currently free, no matter how many items you have in your basket. Any additional courier charges will be applied at checkout as they vary depending on delivery address.

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