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Folies de Paris: The Rise and Fall of French Operetta

£7.99 Out Of Stock

Product description

From the Blurb;

"An entertaining history of French operetta and the talented and often eccentric composers who made this genre so much their own including Offenbach, Herve, Messager, and Cuvillier.

The colourful story of French operetta began under the placid reign of Louis-Philippe and blossomed throughout the gaslit gaiety of the Second Empire. In the middle years of the Third Republic operetta acquired a certain bourgeois respectability, but by the 1920s the home-grown product, already losing ground to the Viennese and American invasions, had been submerged in a wave of ragtime.

In this sparkling account, James Harding describes the men and women who created French operetta and skilfully weaves their triumphs and their tragedies into an engaging panorama of the rise and fall of the genre. First came the appropriately named Adam, a dauntless forerunner who cheerfully bankrupt himself with gigantic debts in the theatrical jungle of the 1840s. Herve, justly nicknamed "the loony composer", took over from him and endowed the new form with his own brand of crazy irreverence. He was succeeded by the flamboyant, irrepressible, Offenbach, composer of a hundred-odd operettas, who, with superb flair, elevated the knockabout comedy of his predecessors into a recognizable genre. The cripple Lecocq brought a quieter, less outrageous flavour. And then, in a late autumnal flowering, operetta found elegant champions in the sharp-tongued Messager and the suave Reynaldo Hahn, prince of the Belle Epoque and intimate friend of Marcel Proust.

In his vivid evocation of the age and its personalities, Dr Harding also reminds us of some unjustly neglect musicians and pays sensitive tribute to work that deserves to be heard again. On the way he sketches delightful sharp cameos of theatrical figures like domineering Hortense Schnieder, the versatile Max Dearly, Yvonne Printemps and the inimitable Sacha Guitry, as well as many others whose names are familiar to all who love the French stage. The first full-length treatment of the subject in English, this book will long remain a fascinating and authoritative one."

Excellent pages with some edge-wear. Small inscriptions on the front flyleaf.

Item details

Author(s):
James Hardy
Condition:
Used: very good
Edition:
1979
Format:
Hardback
Number of pages:
180
Publisher:
Chappell & Company Limited

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About this item

From the Blurb;

"An entertaining history of French operetta and the talented and often eccentric composers who made this genre so much their own including Offenbach, Herve, Messager, and Cuvillier.

The colourful story of French operetta began under the placid reign of Louis-Philippe and blossomed throughout the gaslit gaiety of the Second Empire. In the middle years of the Third Republic operetta acquired a certain bourgeois respectability, but by the 1920s the home-grown product, already losing ground to the Viennese and American invasions, had been submerged in a wave of ragtime.

In this sparkling account, James Harding describes the men and women who created French operetta and skilfully weaves their triumphs and their tragedies into an engaging panorama of the rise and fall of the genre. First came the appropriately named Adam, a dauntless forerunner who cheerfully bankrupt himself with gigantic debts in the theatrical jungle of the 1840s. Herve, justly nicknamed "the loony composer", took over from him and endowed the new form with his own brand of crazy irreverence. He was succeeded by the flamboyant, irrepressible, Offenbach, composer of a hundred-odd operettas, who, with superb flair, elevated the knockabout comedy of his predecessors into a recognizable genre. The cripple Lecocq brought a quieter, less outrageous flavour. And then, in a late autumnal flowering, operetta found elegant champions in the sharp-tongued Messager and the suave Reynaldo Hahn, prince of the Belle Epoque and intimate friend of Marcel Proust.

In his vivid evocation of the age and its personalities, Dr Harding also reminds us of some unjustly neglect musicians and pays sensitive tribute to work that deserves to be heard again. On the way he sketches delightful sharp cameos of theatrical figures like domineering Hortense Schnieder, the versatile Max Dearly, Yvonne Printemps and the inimitable Sacha Guitry, as well as many others whose names are familiar to all who love the French stage. The first full-length treatment of the subject in English, this book will long remain a fascinating and authoritative one."

Excellent pages with some edge-wear. Small inscriptions on the front flyleaf.

Author(s):
James Hardy
Condition:
Used: very good
Edition:
1979
Format:
Hardback
Number of pages:
180
Publisher:
Chappell & Company Limited

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