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The philosophy of neo-noir

£8.99

Product description

Film noir - a cycle of American films from the 1940s and '50s - is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral ambiguity. Noir films reflect the sense of loss, fragmentation, and nihilism at the heart of the human condition in the twentieth century. Although the classic film noir period ended in the late 1950s, its impact on more recent films has been profound. While typically not black and white, these new films incorporate the noir sensibility of alienation, pessimism, moral ambivalence, and disorientation. This sensibility is obvious in films such as ""Blade Runner"", ""Reservoir Dogs"", ""Chinatown"", and ""Memento"". Until now, little scholarly attention has been paid to the unique philosophical conventions of the widely popular neo-noir genre. In ""The Philosophy of Neo-Noir"", editor Mark T. Conard and other contributors explore the philosophical foundations of neo-noir, using the films to discuss and explain traditional philosophical ideas as well. The themes and topics covered include justice and moral corruption; problems of memory and identity; human nature; space, time, and subjectivity; crime and punishment; pain and redemption; and spiritual transcendence. Conard argues that neo-noir films have benefited as censorship has relaxed, giving current filmmakers a rich noir tradition from which to draw.

Item details

Author(s):
Mark T. Conard
Condition:
Used: very good
Format:
Hardback
ISBN-10:
0813124220
ISBN-13:
9780813124223
Number of pages:
213
Publisher:
University Press of Kentucky
Title:
The Philosophy of Neo-Noir

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About this item

Film noir - a cycle of American films from the 1940s and '50s - is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral ambiguity. Noir films reflect the sense of loss, fragmentation, and nihilism at the heart of the human condition in the twentieth century. Although the classic film noir period ended in the late 1950s, its impact on more recent films has been profound. While typically not black and white, these new films incorporate the noir sensibility of alienation, pessimism, moral ambivalence, and disorientation. This sensibility is obvious in films such as ""Blade Runner"", ""Reservoir Dogs"", ""Chinatown"", and ""Memento"". Until now, little scholarly attention has been paid to the unique philosophical conventions of the widely popular neo-noir genre. In ""The Philosophy of Neo-Noir"", editor Mark T. Conard and other contributors explore the philosophical foundations of neo-noir, using the films to discuss and explain traditional philosophical ideas as well. The themes and topics covered include justice and moral corruption; problems of memory and identity; human nature; space, time, and subjectivity; crime and punishment; pain and redemption; and spiritual transcendence. Conard argues that neo-noir films have benefited as censorship has relaxed, giving current filmmakers a rich noir tradition from which to draw.

Author(s):
Mark T. Conard
Condition:
Used: very good
Format:
Hardback
ISBN-10:
0813124220
ISBN-13:
9780813124223
Number of pages:
213
Publisher:
University Press of Kentucky
Title:
The Philosophy of Neo-Noir

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This item will be dispatched to UK addresses via second class post within 2 working days of receipt of your order. Standard UK delivery is £3.95 per order, so you're only charged once no matter how many items you have in your basket. Any additional courier charges will be applied at checkout as they vary depending on delivery address.

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