During the last two decades, numerous studies have been devoted to the Victorian fascination with King Arthur, however . the figure of King Alfred has received almost no attention. For much of the nineteenth century, Alfred was as important as Arthur in the British popular imagination. A pervasive cult of the king developed which included the erection of at least four public statues, the completion of more than twenty-five paintings, and the publication of over a hundred texts, by authors ranging from Wordsworth to minor women writers.
England's Darling sets out to answer the questions that must arise in the face of such nineteenth-century enthusiasm for a long-dead king. It addresses a genuine gap in the literature on Victorian medievalism in particular and cultural history in general and argues that knowledge of the cult of Alfred is crucial to understanding the Victorian cultural map. The book examines the ways in which Alfred was rewritten by nineteenth-century authors and artists, and asks how beliefs about the Saxon king's reign and achievements related to nineteenth-century ideals about leadership, law, religion, commerce, education and the Empire.
This hardback book is in very good used condition. There is a small tear to the base of the dust jacket, but the remaining cover is unmarked, the boards are clean and all pages are clean and unmarked.