Published in 2014 by Camden House. Includes an introduction, epilogue, works cited and index. Captioned black and white photography and footnotes are found throughout.
Since unification, a radical shift has taken place in Germans' view of their country's immediate past, with 1989 replacing 1945 as the primary caesura. The cold-war division, the failed socialist state, the '68 student movement, and the Red Army Faction -- historical flash points involving political oppression, civil disobedience, and the longing for Utopian solutions to social injustice -- have come to be seen as decisive moments in a collective history that unites East and West even as it divides them. Telling stories about a shared past, establishing foundational myths, and finding commonalities of experience are pivotal steps in the construction of national identity. Such nation-building is always incomplete, but the cinema provides an important forum in which notions of German history and national identity can be consumed, negotiated, and contested. This book looks at history films made since 1989, exploring how utopianism and political dissent have shaped German identity. It studies the genre - including popular successes, critical successes, and perceived failures - as a set of texts and a discursive network, gauging which conventions and story lines are resilient. At issue is the overriding question: to what extent do these films contribute to a narrative that legitimizes the German nation-state?
Mary-Elizabeth O'Brien is Professor of German and The Courtney and Steven Ross Chair in Interdisciplinary Studies at Skidmore College.
In Good to Very Good condition. Clean, crisp and fresh with a tight binding. Slight rubbing to corners of the cover. Some neat notes and highlights have been made throughout the book, in light green pen. Otherwise in great condition.